The Magic Fluteby W.A. Mozart Boston Baroque | Martin Pearlman, music director
… Bass Dana Whiteside was such an imposing presence in his first appearance as the Speaker of the Temple that he might have been mistaken for Sarastro himself.
» David Wright | Boston Classical Review 16 April 2016
» David Wright | Boston Classical Review | 16 April 2016
The Magic Fluteby W.A. Mozart Boston Baroque | Martin Pearlman, music director
Other characters who were portrayed and sung well — tenor Stefan Reed and baritone Dana Whiteside as priests and armored men; Whiteside also spoke with a bracingly clarion tone.
» Susan Miron | The Arts Fuse 20 April 2016
» Susan Miron | The Arts Fuse | 20 April 2016
Phoebus & Panby J.S. Bach Emmanuel Music | Ryan Turner, music director
Baritone Dana Whiteside was all dignity and sensitive phrasing as Phoebus (in the church’s pulpit, no less), singing the sad yet inspiring tale of the doomed love of Apollo and Hyacinthus.
» David Wright | Boston Classical Review | 10 April 2016
» David Wright | Boston Classical Review 10 April 2016
A Little Night Musicby Stephen Sondheim Emmanuel Music | Ryan Turner, music director
As Count Carl-Magnus Malcolm, a dim-witted dragoon who is Désirée’s lover, Dana Whiteside acted stiffly – maybe that was intentional – but sang strongly and with beautiful tone.
» David Bonetti | Berkshire Fine Arts 22 January 2014
» David Bonneti | Berkshire Fine Arts | 22 January 2014
St. John Passionby J.S. Bach Cantata Singers | John Harbison, music director
… the best individual vocal performance came from bass Dana Whiteside, who sang beautifully in the small but pivotal role of Pilate but also gave a full and complex characterization (commanding yet eager to extricate himself).
» Lloyd Schwartz | The Boston Phoenix | 17 March 2005
» Lloyd Schwartz | The Boston Phoenix 17 March 2005